He tells himself, 'I am the island' and in case you missed that, the little tart reminds him later, 'You were on an island long before you crashed here.' Escape, then, becomes problematical: from where? to what? and on what terms? The 'conspiracy of the grotesque' that traps him is more than Maitland's trial - it's his only destiny, and perhaps no more than technological man deserves. This modern-day Crusoe encounters two inhabitants in his explorations - a Sadie Thompson-ish neurotic runaway and a mentally defective ex-circus acrobat with the 'natural dignity of a large, simple animal' - whom he manipulates brutally in order to survive. Ballard's novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments.' The Oxford Dictionary of National Biography entry describes Ballard's work as being occupied with 'eros, thanatos, mass media and emergent technologies'.Ballard's newest nightmare fantasy of contemporary society finds hero Robert Maitland marooned on a seemingly deserted traffic island just outside London watching the unconcerned motorists stream by. The literary distinctiveness of Ballard's work has given rise to the adjective 'Ballardian', defined by the Collins English Dictionary as 'resembling or suggestive of the conditions described in J. Described as 'The best British novel about the Second World War' by The Guardian, the story was adapted into a 1987 film by Steven Spielberg. While many of Ballard's stories are thematically and narratively unusual, he is perhaps best known for his relatively conventional war novel, Empire of the Sun (1984), a semi-autobiographical account of a young boy's experiences in Shanghai during the Second Sino-Japanese War as it came to be occupied by the Japanese Imperial Army. The story was later adapted into a film of the same name by Canadian director David Cronenberg. In 1973 the highly controversial novel Crash was published, a story about symphorophilia and car crash fetishism the protagonist becomes sexually aroused by staging and participating in real car crashes.

In the late 1960s and early 1970s Ballard focused on an eclectic variety of short stories (or 'condensed novels') such as The Atrocity Exhibition (1970), which drew closer comparison with the work of postmodernist writers such as William S.

Ballard came to be associated with the New Wave of science fiction early in his career with apocalyptic (or post-apocalyptic) novels such as The Drowned World (1962), The Burning World (1964), and The Crystal World (1966). G.' Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, and essayist.

Ballard concrete island